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Catalogue of works, approved by G. Ustvolskaya

  1. Concerto for piano, string orchestra and timpani (1946)
    Dedicated to Alexei Lyubimov
    Duration: 20'
    First performance: 1967, Moscow
    Pavel Serebryakov (piano)

  2. Piano Sonata No. 1 (1947)
    Duration: 10'
    First performance: 20 February 1974, Leningrad
    Oleg Malov

  3. "The Dream of Stepan Razin" ("Son Stepana Razina") (1949) *
    Byline for bass singer and large orchestra on folk poetry
    Duration: 20'
    First performance: 8 October 1949
    Leningrad Philharmonic Orchestra — Evgeni Mravinski (conductor)

  4. Trio for clarinet, violin and piano (1949)
    Duration: 16'
    First performance: 11 January 1968, Leningrad
    Vladimir Krasavin (clarinet) — Viktor Liberman (violin) — Maria Karandashova (piano)

  5. Octet for two oboes, four violins, timpani and piano (1949—1950)
    Duration: 18'
    First performance: 17 November 1970, Leningrad
    N. Pevzner, A. Kosoyan (oboes) — A. Arkanov, J. Savikovski, S. Sakurin, N. Karandashova (violins) — A. Antoshkin (timpani) — Maria Karandashova (piano)

  6. Piano Sonata No. 2 (1951)
    Dedicated to Anatoly Vedernikov
    Duration: 12'
    First performance: 26 January 1967, Moscow
    Anatoly Vedernikov

  7. Piano Sonata No. 3 (1952)
    Duration: 17'
    First performance: 16 February 1972, Leningrad
    Oleg Malov

  8. Sonata for violin and piano (1952)
    Duration: 20'
    First performance: 5 March 1961, Leningrad
    Mikhail Vaiman (violin) — Maria Karandashova (piano)

  9. Twelve Preludes for piano (1953)
    Duration: 18'
    First performance: 20 March 1968, Leningrad
    Anatoly Ugorsky

  10. Symphony No. 1 (1955)
    for symphony orchestra and 2 boys' voices in three movements
    Text by Gianni Rodari (in Russian)
    Duration: 30'
    First performance: Spring 1966, Leningrad
    Leningrad Philharmonic Orchestra — Arvid Jansons (conductor)

  11. Suite for orchestra (1955) *
    Duration: 21'
    First performance: 1957, Leningrad
    Leningrad Philharmonic Orchestra — Arvid Jansons (conductor)

  12. Piano Sonata No. 4 (1957)
    Duration: 12'
    First performance: 4 April 1973, Leningrad
    Oleg Malov

  13. Symphonic Poem No. 1 (1958) *
    Duration: 25'
    First performance: 1958, Leningrad
    Leningrad Philharmonic Orchestra — Arvid Jansons (conductor)

  14. Symphonic Poem No. 2 (1959) *
    Duration: 12'

  15. Grand Duet for piano and cello (1959)
    Dedicated to Mstislav Rostropvich
    Duration: 26'
    First performance: 14 December 1977, Leningrad
    Oleg Stolpner (violoncello) — Oleg Malov (piano)

  16. Duet for piano and violin (1964)
    Duration: 25'
    First performance: 23 May 1968, Leningrad
    Philipp Hirschhorn (violin) — Maria Karandashova (piano)

  17. Composition No. 1 "Dona Nobis Pacem" (1970—1971)
    for piccolo, tuba and piano
    Duration: 17'
    First performance: 19 February 1975, Leningrad
    L. Suchov (piccolo) — L. Klevzov (tuba) — Maria Karandashova (piano)

  18. Composition No. 2 "Dies Irae" (1972—1973)
    for eight double basses, piano and wooden cube
    Dedicated to Reinbert de Leeuw
    Duration: 18'
    First performance: 14 December 1977, Leningrad

  19. Composition No. 3 "Benedictus, Qui Venit" (1974—1975)
    for four flutes, four bassoons and piano
    Duration: 7'
    First performance: 14 December 1977, Leningrad

  20. Symphony No. 2 "True and Eternal Bliss" (1979)
    for voice and small orchestra
    Text by Hermannus Contractus (from "Monuments of Mediaeval Latin Literature from the tenth to twelfth centuries", Nauka, Moscow 1972 — in Russian)
    Duration: 20'
    First performance: 8 October 1980, Leningrad
    Leningrad Philharmonic Orchestra — V. Altschuler (conductor)

  21. Symphony No. 3 "Jesus Messiah, Save Us" (1983)
    for voice and small orchestra
    Text by Hermannus Contractus (from "Monuments of Mediaeval Latin Literature from the tenth to twelfth centuries", Nauka, Moscow 1972 — in Russian)
    Duration: 16'
    First performance: 1 October 1987, Leningrad
    Leningrad Philharmonic Orchestra — V. Altschuler (conductor) — Oleg Popkov (reciter)

  22. Symphony No. 4 "Prayer" (1985—1987)
    for trumpet, tam-tam, piano and contralto
    Text by Hermannus Contractus (from "Monuments of Mediaeval Latin Literature from the tenth to twelfth centuries", Nauka, Moscow 1972 — in Russian)
    Duration: 10'
    First performance: 24 June 1988, Heidelberg
    Dale Marrs (trumpet) — Thomas Keemss (tam-tam) — Ulrich Eisenlohr (piano) — Roswitha Sperber (contralto)

  23. Piano Sonata No. 5 (1986)
    Duration: 16'
    First performance: Leningrad
    Oleg Malov

  24. Piano Sonata No. 6 (1988)
    Duration: 7'
    First performance: Autumn 1988, Leningrad
    Oleg Malov

  25. Symphony No. 5 "Amen" (1989—90)
    for reciter, violin, oboe, trumpet, tuba and percussion
    Text: Lord's Prayer
    Duration: 13'
    First performance: 19 January 1991, New York
    'Ensemble Continuum' directed by Joel Sachs

The works noted with an asterisk (*), Bylina, Suite and two Poems, were permitted entry into the author's catalogue only after several years' hesitation. G.Ustvolskaya's attitude towards these works speaks to the great demands she made of herself. Their style shows too that she had it within her to write another, more accessible, style of music with greater potential to bring her mass popularity. She chose the other way, consciously and uncompromisingly.

The works of Galina Ustvolskaya are published by Musikverlag Hans Sikorski.

The manuscripts are stored in the Paul Sacher Stiftung archive.



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